Gerard Way and Shaun Simon’s third “Killjoys” chapter 
fleshes out the world and moves the narrative in a cool new direction. 
Cloonan’s art continues to be the biggest draw of this fantastically 
imaginative series.
WRITTEN BY: Gerard Way & Shaun Simon 
ART BY: Becky Cloonan 
PUBLISHER: Dark Horse 
PRICE: $3.99 
RELEASE: August 14, 2013
The issue begins with an innocent enough beat. Things become 
abundantly clear that major conflict is on the horizon. The girl is 
being primed for her fate in the conflict. The air of mystery is 
thickened and the world gets deeper.
“Killjoys” is a fantastic read. The script has a very lyrical feel 
thanks to Way and Simon. The dialogue pops off the page and filled with 
youthful energy. Every time one of the teenagers living off the 
wasteland speaks you feel a spark course through you. The dialogue is 
that good. 
The world of the wasteland feels particularly unique. While this may 
be due to the incredible work done by Becky Cloonan, the script does use
 locations to its advantage. The jumbled and chaotic nature of the 
desert is juxtaposed perfectly with the scenes in Battery City.
The moments in Battery City shed more light on Korse. He amounts to 
the antagonist of the series. While his motives seem nefarious, and his 
ties to corporate culture condemn him indefinitely, the script allows 
him to develop. Korse has a decision to make, and his choice is more 
than surprising.
The porno droids take center stage this month. Their plight is made 
much more clear. They are fighting for love, and fighting to stay alive.
 It has a surprising amount of emotional depth. Especially when held 
against the fun loving nature of the other stories.
The final beats with The Ultra V’s seem to promise a new leader. The 
girl is an inspired choice. Given her breakdown at the beginning of the 
issue, however, she may not be the best choice. Time will tell if this 
is even the course the story is treading. So far though, most of the 
series has been anything but unpredictable. Which is fine, the world, 
and the art is enough to sell copies every month.
Cloonan’s art continues to be the best reason to pick this book up. 
Her sense of visual style is unparalleled, and moves this book to a 
league of its own. If you have any doubts, page 14 will change your mind
 entirely. Korse’s partner vaulting into the air is terrifying and 
exciting. Korse’s face in the final panel says everything the dialogue 
does. Simply masterful stuff.
The final two pages are a real treat from Cloonan. Way and Simon’s 
script really lets her flex her muscles in terms of world building. She 
has built her definitive style into this futuristic neon soaked world 
and it oozes from the pages.
“Killjoys” is a solid read, start to finish. The issue adds some real
 depth to the characters that was vastly needed to keep the stakes of 
the narrative fresh. It seems the future of the plot may go a very 
traditional and predictable route, however, the book has surprised 
before. This wasn’t as good as the debut issue, but a compelling chapter
 nonetheless. I’m looking forward to more.
3.5/5 Skulls
source 
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MCRmy members can support MCR in many ways. If there are promotional materials to distribute, you can help do that. You can also help by helping spread videos and news online when asked, or simply by talking to people you know about the band. You can help in any way that you feel comfortable.
MCRmy members can support MCR in many ways. If there are promotional materials to distribute, you can help do that. You can also help by helping spread videos and news online when asked, or simply by talking to people you know about the band. You can help in any way that you feel comfortable.
Aug 22, 2013
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